Seán McGirr opens to a new view about the Fashion House McQueen, playing, exploring, innovating with an eye always on the founder Alexander.
Women’s and Men’s Collection with a first look with hands tied, or rather inside the dress. The question of whether it’s a sign of the times or a simple theatrical presentation is not so trivial but, 51 more are coming, so there is no time to reflect.
About the show McGirr pointed out how “It has to provoke a reaction; that’s the DNA of the brand. McQueen is also about aggression, but playful aggression”: McQueen in McGirr.
This is the main contribution to approach the collection. Less spectacularity and transgression but more emerging with your own style among enveloping and minimalist clothes.
At SEGRO Center Paris Les Gobelins, entering the various looks, neon femininity in high-tech tight-fitting clothes, the face tends to be covered by a hat but above all by enveloping tubular sweaters that reach up to the eye in height, or cover the body in width. Fur textured dresses in mohair and shearling with knit sleeves.
Wide-shouldered pinstripe suits and studded leather jackets. Leather and denim trench coats that are wrapped and tied around the ankles. The animalier is colorful and also matching. The palette is from white to black, from acid green to red, from orange to blue and brown.
Working for a brand that bears the name of a founder who characterized and determined a Maison is not easy, but it is clear that everything must continue between heritage, but above all in a new way of understanding the creative director in charge. Seán McGirr with the new logo and name McQueen is the name ready for the following years.
Alexander McQueen in McGirr Autumn Winter 2024-25, Paris Fashion Week | all rights reserved © glamourstylenews.com
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